where digital art and technology collide

 
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What we do

In today's competitive market visualization isn’t just needed, it’s expected. Our diverse team is made up of architects, artists, photographers, designers and creative nerds who craft images, films and interactive experiences so you can blow your competition out of the water.

 
 
 
Featured
Animations
Animations

Every studio offers renderings, but creating high quality animated content is a different game. We specialize in video and we have the team and the experience to tell the story of a project in many ways. This ain’t your daddy’s tired old animated “walk-through” either. We use a variety of media such as cg animation, green screen, drone video, actors and voice overs in order to tell the story of the unbuilt in a unique way that you can see, feel and understand.

Interactive
Interactive

Interactive displays such as touch screen applications, real time applications, complex interactive models, virtual and augmented reality and 360 degree tours can be used in different combinations to engage and educate your audience in ways that traditional visualization can’t. These displays are powerful tools that can be used on a website, in a showroom or in a sales centre.

Still Renderings
Still Renderings

Architectural illustrations have come a long way since the invention of the computer and the software that we use. We are able to build near perfect 3D representations of unbuilt architecture right down to the smallest details and then snap a virtual picture within that space. But the technology isn’t what makes a great image, it’s the ability to create an image that makes you feel like you’re there, one that creates excitement and emotion.

 
 

Our Team

 
“All work and no play makes Jack a dull boy”
— proverb
 
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Ryan Jorgensen

Director

Ryan’s start in CG visualization began 25 years ago during his first job as a graduate, which kicked off one wild ride that took him through the industry and across borders, culminating with leadership roles at two cutting-edge visualization studios. Now as Owner and Director of The Rapid Eye Movement, Ryan focuses first and foremost on building relationships with clients, and guides them through the visualization process. When he’s not at the office you’ll probably find Ryan in the great outdoors camping, biking, hiking or paddle boarding.


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Daniel Nobre

Creative Director

Daniel brings 25 years of visualization experience and an architectural degree to The Rapid Eye Movement. On the side, Daniel worked as a freelance photographer where he sharpened his keen eye for style, color and lighting. As Owner and Creative Director, Daniel takes pride in keeping up with current industry technologies and is always on the lookout for new tools that will allow us to work more efficiently. An avid cyclist, Daniel prefers to hit the ground running on two-wheels as opposed to four.

 
 
 
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Gustavo Costa

Visualization Artist . Production manager

Gustavo started his career in Interior Design, but fell in love with architectural visualization after seeing the demo-reel of another artist. For the past ten years he has dedicated his career to arch vis and specializes in script development, post production and project management. In his spare time Gustavo enjoys photography, scuba diving and the Afro-Brazilian martial art of Capoeira.

 
 

Amauri Castro

Senior Visualization Artist

In a past life Amauri was a graphic designer, but has spent the last 11 years honing his skills in architectural visualization. Amauri’s strengths are modeling, scene optimization and 3ds Max best practices, but what he particularly enjoys is working on landscaping and vegetation. After work you’ll find Amauri building computers, playing chess and poker, tending to his fish tanks and of course, spending quality time with his family.

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Herlano Silva

Senior Visualization Artist

Herlano studied graphic design in college, but he quickly fell in love with 3D visualization. This led him to Rio De Janeiro for five years, where he worked for a couple of large visualization companies before finding his role with The Rapid Eye Movement. Herlano particularly enjoys working with material creation, light, post production and interior visualization. When not on the computer you’ll find Herlano studying his other love, cinema.